A 12-year-old boy just randomly came up to me and gave a brief and somewhat depressing philosophical discourse which was basically the theme of The Homeward Bounders. I got kind of excited - like, that's an odd thing for a 12-year-old boy to think of.
Then a couple of minutes later he came back and told me a kind of depressing parable, so I said, "You sound kind of depressed today."
His response? "Yes, I'm a Christian."
Showing posts with label the homeward bounders. Show all posts
Showing posts with label the homeward bounders. Show all posts
Wednesday, May 18, 2016
Tuesday, April 12, 2011
Also
Whenever I think that something is a Shelley reference, I am right. It is a Shelley reference. I can prove it.
That's just a fundamental truth of the universe.
That's just a fundamental truth of the universe.
Friday, April 1, 2011
The Real Place
You know, 2011 is a quarter over, and I have posted a grand total of one post on this blog this year that is not about Hitherby. Yeah.
Sunday, March 27, 2011
New _Hitherby_ Canon: A Cost-Benefit Analysis
Benefits: A world with new Hitherby canon is a very different place from a world without it. I keep on thinking of "Your Song," of all things - how wonderful life is now it's in the world. Everything seems exciting and shiny and new; there's a fundamental source of rightness in the universe that lies deep below everything. When things go wrong, you don't have to worry quite so much because you know that beauty and truth and love are still in the process of trickling into reality - you know that something is going to be amazing.
Costs: How do you think about anything else? Hitherby has this awkward Homeward Bounders effect for me - it tends to look like the Real Place, even though I know perfectly well that it isn't. Luckily it's been only one time in my life that I had the really serious problem with Hitherby and spent a night feeling like I was going to fade out of the world, but it's still very hard to pay attention to the world when there is Hitherby calling to me - even when Hitherby is the child of the world and the arm of the world and the eye of the world, a part of the world itself, not something different and separate and alien. Even despite that, it tends to sever me.
Costs: How do you think about anything else? Hitherby has this awkward Homeward Bounders effect for me - it tends to look like the Real Place, even though I know perfectly well that it isn't. Luckily it's been only one time in my life that I had the really serious problem with Hitherby and spent a night feeling like I was going to fade out of the world, but it's still very hard to pay attention to the world when there is Hitherby calling to me - even when Hitherby is the child of the world and the arm of the world and the eye of the world, a part of the world itself, not something different and separate and alien. Even despite that, it tends to sever me.
Wednesday, August 4, 2010
Not to Mention the Cloud Whales
You know, normally, if I don't love something, I'm fairly clear on why I like it or dislike it. I dislike it because it's boring, or I like it because it has that cool stuff that I like.
But when I'm obsessed with something else, it's a little different. When I'm busy being obsessed with The Homeward Bounders, The Homeward Bounders strikes me as the perfect book, and nothing else is even remotely as appealing, because nothing else is perfect. When I'm obsessed with Hitherby, even DWJ books seem wordy and simplistic in comparison to the sparse thematic complexity that is ideal. But, you know, being obsessed with DWJ or Hitherby is kind of okay, given that the things I love them for aren't actually absurd OTT-ness.
And then there's being obsessed with Angel Sanctuary. A friend of mine mentioned on her personal blog that she is really into the new ABC Family TV show Huge and that it has an asexual character, and I was intrigued enough to start watching it. And I am finding it entertaining enough. It's nice to have been motivated to watch TV again (I really have trouble staying motivated to watch TV unless other people are there watching it with me). But. . . I keep on finding myself thinking, Wouldn't this friendship be so much interesting if that guy was actually possessed by an evil sword that has been chasing the other guy's reincarnations for centuries because it's in love with his original identity as a female angel and is actually, unbeknownst even to itself, Lucifer? or, Wouldn't that scene be strongly improved if there was a giant aborted angelic fetus with lots of eyeballs floating above?, or, The best solution for any weird problems with your father-figure is letting him eat you when he turns into a cannibal zombie, and then he can temporarily regain his sanity just in time to save Lucifer from being killed by the reincarnated angel with himself, because he's blind, and then his blindness will be miraculously lifted and he'll suddenly realize that you're not just his surrogate child but actually his real child that he left for dead after cutting you out of the womb of your mother when he was set up into killing her, so that he can save your life and get you to kill him as the real ultimate act of love.
I also find myself thinking very nostalgically of Gardens of the Moon, which is one of the few narratives I've encountered that seems even to approach AS for OTT-ness. I mean, the epic battle at the end is a good house (as in a building) versus an evil tree! I will never get over that!
If anyone reading this happens to have other recommendations of completely OTT narratives, drop them here. I can't promise to read them, but I would like a list! Basically I am looking for things like the good house (as in a building) versus an evil tree, where it doesn't come off as intentionally funny, and the thing is, it is, unavoidably, funny, but somehow it actually manages to work despite that.
But when I'm obsessed with something else, it's a little different. When I'm busy being obsessed with The Homeward Bounders, The Homeward Bounders strikes me as the perfect book, and nothing else is even remotely as appealing, because nothing else is perfect. When I'm obsessed with Hitherby, even DWJ books seem wordy and simplistic in comparison to the sparse thematic complexity that is ideal. But, you know, being obsessed with DWJ or Hitherby is kind of okay, given that the things I love them for aren't actually absurd OTT-ness.
And then there's being obsessed with Angel Sanctuary. A friend of mine mentioned on her personal blog that she is really into the new ABC Family TV show Huge and that it has an asexual character, and I was intrigued enough to start watching it. And I am finding it entertaining enough. It's nice to have been motivated to watch TV again (I really have trouble staying motivated to watch TV unless other people are there watching it with me). But. . . I keep on finding myself thinking, Wouldn't this friendship be so much interesting if that guy was actually possessed by an evil sword that has been chasing the other guy's reincarnations for centuries because it's in love with his original identity as a female angel and is actually, unbeknownst even to itself, Lucifer? or, Wouldn't that scene be strongly improved if there was a giant aborted angelic fetus with lots of eyeballs floating above?, or, The best solution for any weird problems with your father-figure is letting him eat you when he turns into a cannibal zombie, and then he can temporarily regain his sanity just in time to save Lucifer from being killed by the reincarnated angel with himself, because he's blind, and then his blindness will be miraculously lifted and he'll suddenly realize that you're not just his surrogate child but actually his real child that he left for dead after cutting you out of the womb of your mother when he was set up into killing her, so that he can save your life and get you to kill him as the real ultimate act of love.
I also find myself thinking very nostalgically of Gardens of the Moon, which is one of the few narratives I've encountered that seems even to approach AS for OTT-ness. I mean, the epic battle at the end is a good house (as in a building) versus an evil tree! I will never get over that!
If anyone reading this happens to have other recommendations of completely OTT narratives, drop them here. I can't promise to read them, but I would like a list! Basically I am looking for things like the good house (as in a building) versus an evil tree, where it doesn't come off as intentionally funny, and the thing is, it is, unavoidably, funny, but somehow it actually manages to work despite that.
Saturday, September 19, 2009
Especially When There is Some Discoloration
Apparently, I have now read The Homeward Bounders sufficiently many times that I find imagery of stone anchors to be terrifying. Really. Almost unbearably terrifying.
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